Chasing Classic Art – Art Institute of Chicago

We all grow up with some sort of art appreciation. Recently I was able to realize my dream of seeing some classic art at the Art Institute of Chicago. Building on my odd taste in art as a teen, I specifically wanted to visit the Art Institute because I knew they held several of the original paintings I cherished.

I’ve been lucky. My three years living in Brussels and widespread travel in the world has allowed me to see some of civilizations’ greatest art: Da Vinci’s Mona Lisa in the Louvre, Botticelli’s Birth of Venus in Florence’s Uffizi, Da Vinci’s Last Supper in Milan, Michelangelo’s Sistine Chapel, Raphael’s School of Athens in the Vatican, Munch’s The Scream in Oslo, Picasso’s Guernica at the Reina Sophia in Madrid, Jacques-Louis David’s The Death of Marat in Brussels, and many others. But there were more classic paintings that I had never seen in person – and several were at the Art Institute of Chicago.

I’ve had a thing for Picasso’s The Old Guitarist since my undergraduate days. Ironically, it was hanging in the Carriage House, a just-off-campus BYOB hangout built in, you guessed it, an old carriage house. Gone were the horses and hay, replaced by a small kitchen and an even smaller stage where a variety of unknown acts would play for broke students. So while a singer crooned folk songs or the naked piano player (yes, there was such a thing) cracked jokes to music, a print of Picasso’s masterpiece from his blue period gazed down from the side wall. Perhaps the oddity of the situation was what locked the painting into my mind.

The Art Institute is also the home of Grant Wood’s much parodied American Gothic. Posing his dentist and his sister in front of an old carpenter gothic style house, Wood created one of America’s most recognized paintings.

Another American artist, Edward Hopper, is best known for Nighthawks, his ambiguous statement on late night life is his most famous painting and likely second only to American Gothic in being repurposed and parodied.

Heading back to Europe, The Bedroom is one of three versions of Van Gogh’s bedroom in the “yellow house” of Arles, in the south of France. Joined for several tension-filled months by fellow artist Paul Gauguin, it was here that Van Gogh, prone to periodic psychotic episodes, cut off part of his left year, an event that ended his friendship with Gauguin. The Art Institute also has a wonderful self portrait of Van Gogh.

Another masterpiece I’ve always wanted to see was French painter Georges Seurat’s A Sunday Afternoon on the Island of La Grande Jatte (sometimes simply called A Sunday on La Grande Jatte). Seurat’s most famous painting, at nearly 7 feet high by over 10 feet wide it is also his largest, a size that is even more remarkable given it is painted using the pointillist technique. Think of pointillism as an early form of pixilation, where small dots of paint are applied to the canvas such that the eye blends them into perceived color patterns.

There were many other wonderful paintings and sculptures at the Art Institute. One thing in particular that struck me was the number of paintings that reflected on science. I’ll have more about that in a future science traveling of art post.

David J. Kent is an avid science traveler and the author of Lincoln: The Man Who Saved America, in Barnes and Noble stores now. His previous books include Tesla: The Wizard of Electricity and Edison: The Inventor of the Modern World and two specialty e-books: Nikola Tesla: Renewable Energy Ahead of Its Time and Abraham Lincoln and Nikola Tesla: Connected by Fate.

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